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IS THAT THE NEWEST A24-PRODUCED, GENRE-REDEFINING, TROPE-SUBVERTING, ATMOSPHERIC, DARK AND EERIE, EMOTIONALLY DRAINING, GUT WRENCHING, AESTHETICALLY HEAVY CRAFT BY POST-HORROR AUTEUR WITH AN ARTHOUSE EDGE, DREAD-INDUCING, SUSPENSEFUL BUILD UP WITH STRONG CHARACTER DEVELOPMENT AND GRADUAL FEELING OF ESCALATION, BONE-CHILLING SLOW BURN WITH “SAY MORE WITH LESS” APPROACH AND SOUL-SHAKING, BLOOD-CURDLING, SKIN-CRAWLING AND NERVE-WRACKING EXERCISE IN PERSISTENTLY LOOMING DREAD WHERE TENSION AND ANXIETY PERMEATES EVERY FRAME AS MOVIE REACHES ITS NAIL-BITING, JAW-CLENCHING AND PARANOIA-INDUCING FINAL CLIMAX, FREE OF ANY CHEAP GORE, CARTOONISH CGI OR INFANTILE JUMPSCARES HORROR FILM?

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@hfaust I remember reading some subversive graphic novel years ago about a foid temp who gets drawn into a group of friends who are into low-budget horror. They eventually make some hyper-feminist garbage indie film about a woman who tears a baby from her womb on her wedding day. The protag's sister is appalled by the spectacle, but foid protag is just "I like doing this let me have this let me have fun and be myself" about the whole thing.

Your post reminded me of this.